Frank Bowling OBE, RA (b. 1934)
Pouring Over 2 Morrison Boys & 2 Maps I, 2019
Polymergravure with blockprinting.
45 15/16 x 29 1/8 in
Edition of 68

Frank Bowling OBE, RA (b. 1934) was born in British Guiana and maintains studios in London and New York. For over five decades, his distinct painting practice has been defined by an integration of autobiography and postcolonial geopolitics into abstraction.

Cecily Brown (b. 1969)
Untitled, 2018
Monotype in oil on Lanaquarelle paper
43 x 31 in
CB1352

Cecily Brown (b. 1969) is a contemporary British painter. Characterized by overt sexual imagery and an Abstract Expressionist gestural style, Brown’s work has emerged some of the most influential of her generation. Her large-scale canvases often feature figures engaging in sexual acts under a veil of color.

Ian Davenport (b. 1966)
Colour Splat – Bang, 2019
Screenprint on Velin Arches 250gsm paper
46 x 37 in
Edition of 30

Ian Davenport (b. 1966)
Deep Fall, 2019
Etching on chine colle on Hahnemuhle Bright White 350 gsm paper
45 1/4 x 44 3/8 in
Unique

Ian Davenport (b. 1966)
Deep Fall Ghost, 2019
Etching on chine colle on Hahnemuhle Bright White 350 gsm paper
45 1/4 x 44 3/8 in
Unique

Ian Davenport (b. 1966) is an English abstract painter known for his use of household gloss paint in bright colors. Born in Sidcup, England, Davenport studied at Goldsmiths College alongside notable peers such as Damien Hirst, Michael Landy, Gary Hume, and Sarah Lucas. … He lives and works in London, England.

Jim Dine (b. 1935)
Darkness in the Laughter, 2018
59 1/2 x 47 1/2 in
Woodcut

Jim Dine (b. 1935) is an American artist and poet known for his contributions to the formation of both Performance Art and Pop Art. … Born in Cincinnati, OH, he studied poetry at the University of Cincinnati before attending the University of Ohio where he received his BFA in 1957. He is well know for artwork that blends pop representation and abstraction.

Damien Hirst (b. 1965)
Bromobenzotrifluoride, 2010
Woodblock print
36 x 36 in
Edition of 48

Damien Hirst (b. 1965) is a British Conceptual artist known for his controversial take on beauty and found-art objects. Hirst was part of the Young British Artists movement that rose to prominence in the early 1990s.

Howard Hodgkin (1932-2017)
Eclipse, 2016-17
Hand-painted carborundum relief from two plates
22 1/8 x 30 in
Edition of 60

Howard Hodgkin (1932-2017) became a prominent figure in British art in the 1970s. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning.

Donald Judd (1928 – 1994)
Untitled 11-L (Cat. Rais. #58), 1961/1969
Woodcut printed in cadmium red on cartridge paper
30 1/4 x 21 3/4 in
Edition of 10

Donald Judd (1928 – 1994) was an influential American artist known for his large-scale and unadorned sculptures. Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. It created an outpouring of seemingly effervescent works that defied the term “minimalism”.

Christopher Le Brun (b. 1951)
Changing Light, 2018
Suite of 4 woodcuts
29 1/2 x 41 5/16 in
Edition of 16

Christopher Le Brun (b. 1951) is a painter, sculptor, and printmaker. Born in Portsmouth and trained at the Slade and Chelsea Schools of Art in London. He exhibited at the Venice Biennale (1980) and the influential Zeitgeist (1982). In the same year he was elected the first Professor of Drawing at the Royal Academy, where since 2011 he has been the President.

Anish Kapoor (b. 1954)
Breathing Blue, 2017
Suite of 10 etchings
28 1/2 x 37 3/4 in each
Edition of 39
(available individually or a set of 10)

Anish Kapoor (b. 1954) is a British sculptor. His objects appear abstract, with Kapoor’s intention to promote self-reflection made most obvious when using mirrored surfaces. He does not wish to present a prescriptive idea, but instead to create an environment within which people themselves can consider meaning.

Ellsworth Kelly (1923-2015)
Blue and Yellow and Red-Orange, 1964-65
Inscribed ‘E.A.’ One of 10 proofs aside from the edition of 75.
35 1/8 x 23 1/2 in

Ellsworth Kelly (1923-2015) was an American artist that had been a widely influential force in the post-war art world. He maintained a persistent focus on the dynamic relationships between shape, form and color. His subsequent layered reliefs, flat sculptures, and line drawings further challenged viewers’ conceptions of space.

Julie Mehretu’s (b. 1970)
Six Bardos: Dream State, 2018
Aquatint
50 1/4 x 73 1/4 in
Edition of 45

Ethiopian-American artist Julie Mehretu’s (b. 1970) extraordinarily grand scale works examine our communal connections with place and identity through abstracted landscapes rife with complexity. Her work considers the sociopolitical history of specific locations via multi-layered and wildly chaotic mark-making alluding to architecture, geography, topography, autobiography, and iconography.

Joan Miró (1893-1983)
LA RAME ET LA ROUE – book, litho and drawing, 1960
Lithograph, pencil signed by the artist. An artist’s proof apart from the edition of 75 impressions.
Accompanied by a drawing an dedication by Miro and the poet to the editor, Fernand Mourlot.
7 3/4 x 5 3/4 in
Inscribed ‘E.A’ aside of edition of 75

Joan Miró (1893-1983)
Polypheme, 1968
41 1/8 x 29 5/8 in
Etching with aquatint

Joan Miró (1893-1983) was a Spanish painter, sculptor, and ceramicist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride.

Richard Serra’s (b. 1939)
Finally Finished IV, 2018
Etching
74 1/2 x 60 in
Edition of 45

Richard Serra’s (b. 1939)
Right Angle II, 2019
Etching
27 x 27 in
Edition of 38

American artist Richard Serra’s (b. 1939) work, beginning in the late 1960s, has played a major role in advancing the tradition of modern abstract sculpture in the aftermath of Minimalism. His work draws new, widespread attention to sculpture’s potential for experience by viewers in both physical and visual terms.

James Turrell (b. 1943)
Aten Reign, 2015
Archival pigment print
43 x 63 1/2 in
Paper size: 44 x 65 inches
Edition of 30

For over half a century, the American artist James Turrell (b. 1943) has worked directly with light and space to create artworks that engage viewers with the limits and wonder of human perception. Turrell’s medium is pure light. He says, “My work has no object, no image and no focus. With no object, no image and no focus, what are you looking at? You are looking at you looking. What is important to me is to create an experience of wordless thought.”